Qiao Space and Hauser & Wirth are pleased to announce an exhibition of works by British artist Martin Creed, taking place at Qiao Space in Shanghai’s Xuhui District and opening in conjunction with West Bund Art & Design Fair 2016. Creed is one of the leading British artists of his generation and ‘Understanding’ marks his first solo show in China. The exhibition provides an introduction to the artist, featuring a cross section of his signature neons, sculptures, videos, small-scale canvas paintings and site specific wall paintings.
‘Understanding’ at Qiao Space highlights Creed’s playful spirit and innovative approach to a broad range of materials and his ongoing fascination with the commonplace. Inspired by the objects and activities ofeveryday life, including chairs and discarded cardboard boxes, Creed’s works are simple and idiosyncratic; his oeuvre characterised by the meeting of minimalist restraint and a conceptual rigueur rooted in humour. Creed’s all-encompassing approach blurs the distinction between art and life, the introspective and the extrovert. He understands ‘art’ not as a defined concept but as something immediate, creative and live. His approach enables him to use any form of expression or media, as the key element for him is the process of creation – in his words, ‘trying to live life better’. In spite of the artist’s varied approach to medium, inherent in all his work is the bold use of colour, gesture, motif and sound, with each series guided by an underlying principle, such as order, sequence and repetition. He is increasingly interested in the performative nature of painting, exploring the range of movements the human body can utilise as a means to becoming a tool for making paintings.
Creed’s work as a musician and composer is inseparable from his work as a visual artist. He regularly pursues projects in both music and art simultaneously, utilising the freedom he finds in music as a vehicle to demonstrate the process of trying to create and develop ideas in his sculpture and paintings. ‘Understanding’ at Qiao Space features two video works that are an extension of this exploration into the body’s processes of movement, repetition and creation – ‘Border Control’ (2015) and ‘Let Them In’ (2015). Each film plays in a specially constructed video booth.
马丁·克里德的音乐及作曲家的身份与其视觉艺术家的身份是密不可分的。他往往有意地同时进行音乐和艺术创作，利用他从音乐中汲取的自由来表达他在装置和绘画创作中产生及延伸想法的过程。此次在乔空间的展览特别推出了两个视频作品：《边境管制》（Border Control，2015）和《让他们进来》（Let Them In，2015） 。可以说这两部作品是马丁·克里德对人体的运动、反复和创造的过程进行探索的延续。